The Nutcracker (2018)
Ballet
It’s hard to imagine the holiday season without The Nutcracker. With its gorgeous score, brilliant costumes, and whimsical story, this ballet transports audiences to a magical world where dreams come alive. For many people, The Nutcracker is their first introduction to ballet, and for young dancers, it’s typically their first opportunity to experience performing on stage – lighting the spark for ballet lovers and future dancers everywhere.
However, this beloved ballet wasn’t always the superstar sell-out it is today. So, how exactly did The Nutcracker go from mega flop to unmissable Holiday treat? Let’s find out.
The opening Party Scene from The Nutcracker is a great opportunity for young dancers to gain experience on the big stage.
After the success of his second ballet, The Sleeping Beauty, Tchaikovsky was commissioned by the director of the Imperial Theatres to work with choreographer Marius Petipa to create a new ballet based on E.T.A Hoffman’s fairy tale The Nutcracker and the Mouse King. The original fairy tale is much darker and more sinister than the candy and glitter-filled ballet we know and love today. The story we’re more familiar with is based on Alexandre Dumas’ – better known for his book The Three Musketeers – shorter and lighter adaptation of Hoffman’s tale.
The ballet made its big debut in St. Petersburg in 1892 and the initial performances were far from beloved. Critics were, well, critical of Petipa’s choreography with one reviewer saying, ”The Nutcracker cannot in any event be called a ballet. It does not satisfy even one of the demands made of a ballet.” Tchaikovsky himself even remarked that he found the production boring.
However, there was clearly something special in Tchaikovsky’s ethereal score filled with gorgeous waltzes and oh-so-catchy tunes, that would prompt other choreographers to try their hand at reviving this ”failed ballet.”
The Dance of the Mirlitons from The Australian Ballet.
Over the years, Tchaikovsky’s magical score underwent several adaptations. From Candy Canes to Ginger Snaps, Mirlitons to Marzipan, each choreographer added their unique adaptations of the story with variations of characters and dances. In 1919, Alexander Gorsky created his version, cutting the roles of the Sugar Plum Fairy and her Cavalier, to give Clara and her Prince room to shine thus introducing the now-familiar love story between Clara and the Nutcracker Prince. In 1934 The Nutcracker left Russia for the first time with a production staged by Nicholas Sergeyev, and from there, slowly but surely, the ”bad” ballet transformed into an irresistible classic.
With its enchanting story, set against the lively backdrop of a Christmas Eve party, The Nutcracker was destined to become a holiday classic. Today, the annual production of The Nutcracker accounts for an average of 48% of a ballet company’s profits each year.
But what truly solidified The Nutcracker as a beloved holiday tradition was its introduction to Western audiences in the mid-20th century. In 1944 the San Francisco Ballet became the first U.S. company to perform a full-length production of The Nutcracker, staged by artistic director Willam Christensen, and it became the first to establish it as a yearly tradition. Critics couldn’t believe that this glistening ballet hadn’t been performed in full in the U.S. before and urged choreographers to ”make up for lost time,” and make up for lost time they did.
It was George Balanchine’s staging for the New York City Ballet in 1954 that put The Nutcracker on the map, playing a pivotal role in establishing the ballet as a quintessential part of the holiday season. Sticking to Petipa’s tradition of casting children in the roles of Clara and the Prince, Balanchine’s production has gone on to become the most popular staging in the US.
While Balanchine’s playful production helped to launch the ballet in its position of everlasting seasonal favorite, Sir Peter Wright’s rendition has also become a cornerstone of the ballet repertoire.
Sir Peter Wright’s 1984 production for The Royal Ballet is the epitome of elegance and tradition. With breathtaking sets, meticulous choreography, and adherence to classical ballet techniques, his interpretation has become a cherished tradition for many ballet companies. You can hear Peter Wright talk about his iconic choreography with star dancer Darcey Bussell in this free interview.
The Finale (a.k.a The Final Waltz) from Sir Peter Wright’s production of The Nutcracker
Tchaikovsky’s irresistible score has even inspired contemporary choreographers like Christian Spuck to try their hand at the classic tale. For his interpretation Spuck chose to stick closely to the original inspiration for the story, E.T.A Hoffman’s dark fairy tale, to create a fresh, funny, and multidimensional new production. Learn more about Spuck’s The Nutcracker and The Mouse King in our article 5 Ballets Choreographed by Christian Spuck.
Christian Spuck’s wacky Waltz of The Flowers from his production of The Nutcracker and The Mouse King.
Other notable stagings include Mikhail Baryshnikov’s 1977 made-for-TV production, Rudolf Nureyev’s adaptation for the Royal Swedish Ballet, Kent Stowell’s production for Pacific Northwest Ballet, and Yuri Grigorovich’s staging for the Bolshoi Ballet.
Madeleine Eastoe as The Sugar Plum Fairy in The Australian Ballet’s production of The Nutcracker.
At its core, the journey of The Nutcracker from a failed ballet in the 19th century to its current status as a cherished holiday classic is a testament to the impact and power of artistry and storytelling. Tchaikovsky’s enchanting melodies, Hoffmann’s timeless themes, and the ever-evolving creative choreography continue to weave their spell, captivating audiences year after year, reaffirming its place as an adored tradition, sparkling with festive spirit.
Immerse yourself in the Sugar Plum spirit with full-length productions of The Nutcracker– plus behind-the-scenes extras – available for streaming on Marquee TV. Visit our Ballet Collection to explore and discover more of Tchaikovsky’s beautiful ballets and ignite the magic of the holiday season.